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For this "thin" image, I widened my eyes, put my tongue at the roof of my mouth, elongated my neck, and stuck said elongated neck even more outwards to create more distance between it and my chins. Believe it or not, hardly anything was different in terms of how I angled my face for these two, which is proof of just how different two lenses can be from one another.As for the second image, this is pretty much how I'd look to most passerby who saw me from a very straight-on distance. For the first couple of years of my life as a blogger, I was using the lens that I took the above "thin" photo with.I spend a lot of my time on the internet, where I was first introduced to body- and fat-positive movements and the many inspirational people who work in different facets of them.
The former two, we found, narrowed my body significantly, while the latter lens was a little more indicative of real life.
They, too, pushed their faces into the necks to determine who had the most hidden fat. But all I could notice at the time was the fact that despite all of them being incredibly thin, every single one had fat under there.
In the photo on the left, my neck and second chin are slightly concealed by my coat because sometimes all it takes to manipulate an image is to burrow yourself inside a bunch of fur.
Our bodies tend to be at least a little larger or smaller IRL than they typically appear on Instagram.
Even if no Photoshopping (sans minor lighting edits) is involved, photographs (including the photographs we're seeing in the fashion-sphere) can be very easily manipulated. The camera lens you're using, the way the light catches your chin(s), and the angles in which you tilt and twist your face and body can all affect the way someone looks in a picture.
Additionally, I angled my face so that it was almost parallel to the camera with my neck elongated yet again to create the illusion of a jaw line.